BANDCAMP EXCLUSIVE! Get a mobile friendly version of the 16-page liner notes and lyrics + amazing art by some of LA's top pop surrealism artists with your album purchase!

Canadian musician Keram, an accomplished film and television actor, is an out-of-the-box artist. His new album, Come To Life, executive produced by Rush guitarist Alex Lifeson,

BANDCAMP EXCLUSIVE! Get a mobile friendly version of the 16-page liner notes and lyrics + amazing art by some of LA's top pop surrealism artists with your album purchase!

Canadian musician Keram, an accomplished film and television actor, is an out-of-the-box artist. His new album, Come To Life, executive produced by Rush guitarist Alex Lifeson, is a sprawling, other-worldly rock adventure that took an army of about 30 musicians, whose collective credits include Coheed & Cambria, Zappa Plays Zappa, Edwarde Sharpe and the Magnetic Zeros, Mary Margaret O’Hara, and of course Rush.

The 10-song opus is an unpredictable hybrid of Americana, new age, electronica, roots, rock, theater, experimental, jazz, pop, and then some. It ends with the 21-minute title track.

Recorded in Toronto and LA, Keram chose the musicians for their improvisation skills, including Lifeson who appears on “Devil Knows Me Well,” “Mary Magdalene” and “Moving Dark Circles.” The album was mastered by Andy Vandette (Rush, David Bowie, Dream Theater) and “Mary Magdalene” was mixed by Rich Chycki (Rush, Dream Theater, Aerosmith).

As an actor — who has appeared in the films American History X, Punisher: War Zone, Irvine Welsh’s Ecstacy and Texas Chainsaw 3D and TV shows True Blood, The Mentalist, Saving Grace and The L Word — Keram (last name Malicki-Sanchez) brings that expression to his music too, writing from other people’s perspective — despicable, pompous, even the opposite gender.

Box is a quiet contemplative album that belies the quirky cleverness of Keram's fertile imagination - sneaking broken record players, faulty echo machines and household percussion in and around the deceptively simple acoustic guitar and piano compositions.

His particular breed of indie folk-rock carries a subtle sophistication that pins down the

Box is a quiet contemplative album that belies the quirky cleverness of Keram's fertile imagination - sneaking broken record players, faulty echo machines and household percussion in and around the deceptively simple acoustic guitar and piano compositions.

His particular breed of indie folk-rock carries a subtle sophistication that pins down the meandering guitars and found objects that underscore his poignant and insightful lyrics.